Once a month, the music-makers in your city come together to show off their talents, make new contacts, and listen in on some of the best music business panels with topics ranging from how to get your music on film scores to finding a management team that 'werks' for you! Whether you come out to Network, Learn, Promote, or Perform this event is a must if you're serious about your career in music!


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Derek Siver’s (Creator of CD BABY): 7 Critical Marketing Basics Every Musicians Should Know




Here are 7 wonderful lessons, which are great to revisit no matter how strong your marketing muscles are...

But before I dive in I want to start with how Derek got his own music career off of the ground. This speaks volumes about how he achieved his CD Baby success later in his career. There is a huge marketing lesson in this story…

When he was a student at Berklee College of Music, Derek was attending a music business lecture. Before the lecture started, he overheard his professor whispering to the guest speaker, Mark Fried from Warner Chappell Music, that there would be no time to eat before the lecture and it was a 3-hour talk. Mark was looking hungry and there had clearly been a miscommunication about eating before the class started. So, Derek slipped out of the room to a pay phone and ordered pizza for Mark and for the entire class. Forty-five minutes into his lecture, Mark was eating pizza with the class and was extremely grateful to Derek (who was one of many students in the room) who went out of his way to help him.

After the lecture, Mark gave Derek his card and told him to keep in touch, which Derek did for the remaining 2 years he was at Berklee. When he came to New York he would meet Mark for coffee and their friendship grew. A week before his graduation, Derek called Mark to ask if there were any jobs at Warner Chappell opening up. Seven days later Derek had a job working at Warner Chappell in the tape room.


Lesson #1 A Marketing Golden Rule: It’s about THEM Not YOU
What struck me about this story is a simple marketing lesson that is also one of the golden rules. Always think about this question: How can I be helpful to other people? That is what will make you memorable in the long run. It was Derek’s courteous consideration that opened all doors for him in the music business.
The pizza took Derek one phone call and $25 and it secured him a job in the music industry. There were probably 45 students sitting in that lecture hall that day and he was the one who ended up with a relationship with Mark and in the end…a job.


Lesson #2: Unsolicited Actions Will Get You Nowhere
Derek then went on to explain what it was like in the tape room at Warner Chappell. It was there he got to see first hand what it looks like from the inside when indie musicians send unsolicited music to a publishing company. Warner Chappell is a large publishing company that was not looking to sign new artists and Derek saw the packages arrive by the dozen on a daily basis. From this he learned exactly what never to do.


Lesson #3: No One Is Coming To Save You In The Music Industry
Derek points out (and I have repeated this line in my own talks) that no one will come along and be your music business “fairy godfather”, it all has to start internally. If you hire anyone to be on your team, no matter what they are doing for you, you must understand that that person is your hired partner. You will both have to work to achieve your desired result. This is especially true in the realm of social media and online marketing.


Lesson #4: Marketing = Consideration
Reach People the Way You Want to Be Reached
Stop thinking of it as Marketing and start thinking of it as creative ways to be considerate. Think of things from the other person’s point of view: Imagine if you called your friend up and screamed into the phone: “THURSDAY COME SEE ME PLAY NEXT THURSDAY!” (HANG UP)
You probably would not show up if you were spoken to that rudely and then hung up on and it was funny to see Derek act this out but his point was: This is exactly the way most musicians speak to their newsletter lists.
If your friends spoke to you the way you speak to them on your newsletter list you wouldn’t be friends. Begin to pay attention to other artist’s messages and notice what works on you. The considerate thing is to be so novel and creative and innovative so that people say: you have GOT to see / hear this musician play!


Lesson #5: DIY Does Not Mean Do It All Yourself – Decide It Yourself
DIY does not have to mean do it all yourself. Doing it all yourself will surely set you up for exhaustion and will leave you no time to be creative.
Instead Derek recommends that you think of DIY as: Decide It Yourself – you call the shots but you MUST learn how to delegate, put your fans to work and get things off of your plate. If you have a sense of STRESS and UPSET around every decision and everything becomes so important you really miss the point. Just try delegating things and don’t make it all so serious and significant. Start every decision with: Let’s see what happens if… and try it!


Lesson #6: Act AS IF….
“You are whatever you pretend to be.”- Kurt Vonnegut
This part of the talk really inspired me…. Most people do not know this: Derek Sivers is an introvert by nature. His instinct when at a music conference is to retreat to his hotel room. To combat this he ACTS as if he is an extrovert. Pretend to be the biggest extrovert possible for an hour at a networking event or at a party.


Lesson #7: It’s Who You Know Mixed With How You Persevere
Everything major that happens in your career starts with someone you know. Here’s Derek’s story of how he got the gig touring with world-renowned Japanese musician Ryuichi Sakamato: Derek’s roommate from school was working wrapping cables in a studio and he overheard the musicians saying that they needed a guitar player to go on an upcoming tour.
To prove that he was the perfect guitarist for the gig, Derek got a hold of some of Ryuichi Sakamoto’s music that he was in the process of recording, wrote all of the guitar parts and mixed it and sent it back.
After a few days when he did not hear from Ryuichi he wrote a cello part out of another one of his songs and sent that to the studio.
After the third day he got the call and toured Japan for 2 months in front of 20,000 people each night.
But Derek proves that it’s not only who you know but also what you do once you get the connection. He demonstrates how to fully take advantage of each situation.
Persevere With People
Get used to staying in touch with hundreds of people with blogs and with your newsletter – it’s a psychological shift in your head but once you can make it you can be very very effective staying in touch with many people. This is the miracle of technology.
Make yourself meet 3 new people every single week: Do this by picking up the phone – people get hundreds of emails and dozens of phone calls.


TIP: AVOID saying the words “pick your brain” to anyone. That says: I want something from you…. and when you do talk to people, prove that you have already done your research. Derek says that people will ask him: So, what does CD Baby do? And It’s totally disrespectful – you want to let them know that you care enough to have spent some time learning about them before you talk / meet.






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Apple iPad; Music making abilities

A cool forum discussion on how music-makers are using Apples newest product. Check it out... http://forum.watmm.com/topic/52980-apple-ipad%3B-music-making-abilities/




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Tips to finding the right booking agent.


Many musicians are wondering around in their careers helpless and directionless as well. They don’t have any real idea as to how to go about getting their careers into the correct place that they need it to be in order to manifest true success. Most musicians fail to realize that they are in need of strong team members that will help guide them. One such team member is a booking agent. They are the ones responsible for getting you gigs and helping you set up the all important touring schedule. Without this individual most musicians find themselves sitting in a rut, unaware of where to go next to make any real impact venue-wise. Also most upper-level venues prefer to only work with booking agents and managers, so those musicians without them are left only to play the smaller venues.

Here are three tips to help you not become a victim of this situation, use them and you should find greater success with getting an appropriate response with the right booking agents in the industry:

1. Get out there on your own and get gigs.
Many bands fail to get an agent simply because they failed to do this one step! Serious booking agents want to know that you have a positive history with packing venues in your local area and most importantly smaller venue then they have access to. They do not want to waste their precious time on a band that has no live playing experience and presence on stage. So do your band a favor and start gigging now!

2. Netwerk constantly.
You need to talk to as many venue owners that you currently know and other bands and ask them for references. These are the best sources because venue owners regularly deal with credible booking agents and any successful band on your local scene should already have a great booking agent. Most people will give of this information free, however, make sure you are really up to the proper level of performance before you contact these individuals, because first impressions are every here.

3. Be Bold. Call around further and set up meetings or send in your press kits. You must have the confidence in your band and its performance abilities to do this, so start building it up now. The only way to get comfortable on stage is to do it, get out there right now, and perform. So while you're are putting yourself out there by contacting the agents, be sure you are pursuing heavily local gigs as well.

Together with these tips you should have a pretty solid idea as to how to find, contact, and get your band a viable booking agent. It is important to really take your time with signing any contract or deals and to always get them checked over by a music attorney. Realize also that as in any industry there are many deceitful individuals that are looking to take advantage of the foolish and untrained eye. Study up on this area even more and always get references from other clients and also check for their companies profile on the Better Business Bureaus website (it’s free) to insure that it is in good standing with its customers. Whenever money transactions are involved it is always better to be safer than sorry. Now, remember these tips, and go out and get your bands first booking agent.




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DJhistory


Great Book  - DJhistory.com in 2000 as a way of shamelessly promoting the book "Last Night A DJ Saved My Life: The History of the Disc Jockey." Since then it’s attracted a loyal following of hirsute DJs and record collectors and become a support group for vinyl-related Aspergers sufferers. In 2008 we relaunched the site with a shiny coat of paint, a music shop and a slightly more professional approach. Our aim remains the same as always: to document the rich history of dance music and to collect and share knowledge about fantastic music. Click on the Title of this post for the full article.






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How To Improve The Tone Of Your Voice


Now you are ready to use your voice. With your throat completely relaxed inhale a deep breath and hold it while you shape the lips for oo as in moon. Then begin stroking inward with your diaphragm, and as this muscle pumps the air through the opening of your lips, you get a sustained oo sound. Do you understand that this oo is projected not from your throat but by means of the inward strokes of your diaphragm? If you have done this properly, you have just made the purest tone in the easiest way possible...More at: http://www.oldandsold.com/articles10/voice-7.shtml









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How Do You Get Your Start to Becoming a Music Executive?


It seems like a simple question that should have a simple answer. If I want to be a manager, producer, songwriter, or executive in the music business how do I get started? The advice that is given time and time again from executives at every level in the business is to take the path of Sean "Puffy" Combs and begin as an intern. The fact is, as an aspiring music executive you should try to gain some experience in a few major areas of the business: Recording, Marketing & Promotions, Distribution, Retail, and Performance.

As a high school or college student in New York or Los Angeles that might be easy, but what if you live in Philadelphia or St. Louis. How do you find out about internships in the music business? Your first call should be to the area radio stations. Every major city has a radio station and they are always looking for interns to work in the office or as a part of the promotions team. Don’t just contact the major radio stations, but also call the community and college radio stations about opportunities. Your objective is to get your foot in the door and learn as much as possible.

Obtaining an internship at a local studio might be a little more difficult. Try working at a store that sells production equipment. This will help to get you up to speed on the latest technology, and ultimately make you an asset to any producer or engineer.

Working at a record store can give you some insight on how music distribution and retail sales works. As a future recording artist or executive it is important to know how to get your music to consumers. As music sales begin to shift with legal downloading and online record stores, it is important to study the trends and new developments in technology.



Now once you secure your internship there are 4 key things to remember:

BE PROFESSIONAL – This is your opportunity to learn and to make an impression. As an intern you are often asked to do small and seemingly unimportant tasks. Make sure that you do whatever task you are given 110% so that when more important tasks are provided you will be asked.

YOU ARE NOT ENTITLED TO ANYTHING – Don’t expect to meet celebrities, get free tickets to concerts, or even to be hired after your internship. Although those can be some of the perks of hard work, it is not promised. Always be appreciative if you receive gifts, but don’t expect them.

STAY FOCUSED – Your goal is to learn and make a good impression. You want people to remember you as a dependable, hard-working, and self-motivated intern.

ASK FOR FEEDBACK – At the end of your internship request a brief meeting with your supervisor. Begin the meeting by saying thank you for the opportunity. Ask for specific feedback on what you did well and what you can improve. Don’t take any feedback personal, but use it to your advantage.

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Quincy Jones Gathers Stars For 'We Are The World' Haiti Session

More than 75 mega-stars gathered Monday to re-record the 1985 charity anthem "We are the World" in the same Hollywood recording studio where the original was cut 25 years ago.

Pink, Celine Dion, Natalie Cole, the Jonas Brothers, Kanye West, Tony Bennett, Jennifer Hudson, Akon and other musical luminaries stood shoulder to shoulder on risers at Henson Recording studios, singing their hearts out and hoping to help Haiti.

Quincy Jones, who produced the 1985 anthem, announced last week that he planned to redo the song to benefit recovery from the deadly Jan. 12 earthquake in Port-au-Prince.

Written by Michael Jackson and Richie, the original "We Are the World" thundered up the charts when it was released on the radio and in record stores in March 1985.

An unprecedented number of top pop musicians gathered at A&M the night of Jan. 28, 1985, following the American Music Awards, to record the tune. The song featured 45 American superstars, including Jackson, Richie, Stevie Wonder, Tina Turner, Ray Charles, Bruce Springsteen, Diana Ross, Bob Dylan and Cyndi Lauper.

The record raised more than $30 million for USA for Africa, a nonprofit organization founded by the singers to fund hunger relief in African nations.

True to her diva reputation, Barbra Streisand recorded her solo over and over, completely absorbed in the recording process and stopping only to correct her pitch.

While reporters watched a video feed of the session in a nearby room, stars like Kayne West mingled outside with friends, greeting his buddy, Snoop Dogg with a hug.

Julianne Hough from "Dancing with the Stars," who is also a country singer, was only 3 years old when the original tune came out. She said she felt honored to lend her voice to the effort and sing next to so many talented musicians.

"It's just iconic. Celine (Dion) is just so gracious and amazing and such a pro," she said.

The session was all the talk at Sunday night's Grammy festivities. Music producer RedOne said being asked to participate was "the biggest honor a musician can ever do."

"Having Quincy, our father of music ... and Lionel Richie asking me to contribute and help, I said of course, because this is not about me," he said. "It's about Haiti."


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These Artists are Looking For BEATS!!

Send beats for the artists below to:
Victor Jackson
vjbeatz@gmail.com
(404)-808-7372

Roccett
http://www.youtube.com/watch?v=L4ijQw3ST-Q
http://www.youtube.com/watch?v=pyHpBR9s6TI
http://www.youtube.com/watch?v=z3X3sfsnCiQ
http://www.youtube.com/watch?v=1FeZkFEIFsU

Juice
http://www.youtube.com/watch?v=GmCw_9BjRN0
http://www.youtube.com/watch?v=mYSPDmqUS0A&feature=related
http://www.youtube.com/watch?v=u2eS33V991s
http://www.youtube.com/watch?v=kfCgNvs8dQY

Rasheeda
http://www.youtube.com/watch?v=pDL3ceDIMsE
http://www.youtube.com/watch?v=T1KXQR3GyXA
http://www.youtube.com/watch?v=uTfGUDChnLY
http://www.youtube.com/watch?v=yEMtFOnsmg4

Courtesy of...

Yamil Little
yamil.little1@gmail.com
www.yamillittle.com





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Wanna Hear Your Track on iTunes? Three Steps to Making it Werk.


As an independent artist, you may believe music distributors such as iTunes, Amazon, Rhapsody and other top digital music websites only upload tracks from A-list artists who can promise instant revenue. I have a sunny start to your day, YOU too can have your track published and sold on these sites as well! The wonderful world of online mass distribution isn’t hard to jump into, as long as you know which way to swim.



STEP 1: Make sure your package is complete. Your CD (or single) must be mastered and mixed to perfection before most distributors will even listen to 10 seconds of the song. You may consider hiring a professional engineer to do this part for you. Don’t have an engineer? Meet one at the next I dO MUSIC! Also, it’s important that your commercial marketing is finished as well. This being artwork for the album or single cover. A lot of major distribution websites require artwork to even be considered for the track to be sold.

STEP 2: UPC Coding is to your album as your social security number is to you. It keeps track of any type of manual or digital sale of the CD. Usually you can find a good deal for UPC Coding from anywhere between $20-$50 online. I know a lot of the online distribution websites offer them in their packages as incentives.

STEP 3: Find your soul mate, better known as your Digital Distributor. What do digital distributors do, you might ask? They are the people who set up contracts with iTunes and other brand name music markets to actually SELL your music for independent artists. A very well known distributor is CD Baby (www.cdbaby.com). After I reviewed CD Baby’s website, I was very impressed with their motto. They believe in listening to every one of the albums submitted before signing any contracts with artists. They believe in quality of music, not so much quantity. From here, you’ll probably be asked to sign a contract that states that they’ll receive a small cut of what you make from sales. Considering the download is $1.00, the average payout is 40 cents to the music downloading site, 9-10 cents to the distributor, and 50 cents to the artists per song. Whatever you do, make sure that you will continue to own all rights to your own music. This means don’t sign anything if it takes the rights away from your material. It’s your masterpiece, not theirs. Other known digital distributors are SongCast & TuneCore.

Three (somewhat) simple steps to making it WERK.

Good luck!





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Chart Watch: First All-Female Top Five



January 3rd marked Billboard history. For the first time ever, female solo artists occupy the top five spots on The Billboard 200. Susan Boyle's I Dreamed A Dream logs its sixth week at #1; Lady Gaga's The Fame surges from #6 to #2; Alicia Keys' The Element Of Freedom rebounds from #4 to #3; Mary J. Blige's Stronger withEach Tear drops from #2 to #4; and Taylor Swift's Fearless holds at #5.




The previous record for female domination was set on April 21, 1990, when female solo artists held down the top four spots on The Billboard 200. The albums were, in order: Bonnie Raitt's Nick Of Time, Sinead O'Connor's I Do Not Want What I Haven't Got, Janet Jackson's Rhythm Nation 1814 and Paula Abdul's Forever Your Girl




I Dreamed A Dream is the first album to spend its first six weeks at #1 since 50 Cent's The Massacre in 2005. It's the first album by a female artist to spend its first six weeks at #1 since Norah Jones' Feels Like Home in 2004. It's the first album by a British artist to spend its first six weeks at #1 since Elton John's Captain Fantastic And The Brown Dirt Cowboy way back in 1975


For more details on this story: http://new.music.yahoo.com/blogs/chart_watch/









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Jangha



If you are a musician and you write your own music, Jangha is the right place for you. Within Jangha you can share your musical work of art with the world. Now thanks to the Creative Commons api it is possible to license your music on Jangha.

Discover real music written by real people, start searching something in the search bar or click on a tag, to browse all the shared music.



Within Jangha all the music is categorized with tags. Every time a musician share it's own musical work of art he/she will give tags according to the style, the mood, the similarity of the music. On the top-right you can find the most popular tags, click on it to display all the music that contains that specific tag.











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Beat Thang Drum Machine: Hands-on Tour with Creators, Rockwilder



Beat Kangz, the upstart drum machine maker out of Nashville, has been cooking up a new device for some time. That creation, the Beat Thang, is finally nearing production. It may not have a nameplate like Akai or Roland, but I can testify that this independently-designed gadget may nonetheless be one to watch. The hardware feels fantastic, appears to have the right pieces falling into place, and promises release soon. The founding team behind it blends backgrounds in areas ranging from hip-hop to computer science, and even production legend Bob Ezrin (that’ll be the Pink Floyd: The Wall Bob Ezrin). I got a look at the hardware in a private meeting at a hotel in Anaheim last week.






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Vocal Cord Madness

Vocal cords are the only instrument used for many music makers out there. Therefore, it's no coincidence that they are taking so seriously by the greatest of entertainers and in the finest of Performing Art schools. If you use your voice to perform in any way, do not take it for granted. Many disorders can be developed due to not taking care of your vocal cords and not knowing how to properly develop/use them. Here are some tips that can make or break your career:


To further inform yourself on Vocal Cord Disorders, click the following link:

http://harvardatoz.demo.staywellsolutionsonline.com/57,211364




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The dO's and dON'Ts for interning in the music industry.


Today, anyone who wants a career working in the music business with a label of some kind, or is looking into producing, engineering, or working in one of the many music-oriented jobs in the recording industry has many choices when it comes to educating themselves about the business. In addition to the many schools, programs, books, websites, and other informational tools at their disposal, the chance to do a good old-fashioned internship still exists.

In fact, more than ever many companies will not consider hiring someone unless they have had some 'real world' experience in a studio, post-production facility, record label, distributor, store, live performance venue, or other businesses related to recorded audio products.

For example, you may think you are qualified to work in a recording studio just because you have some training in Pro Tools, or have helped setup a school-related recording project. You may also have taken courses where you aced all the written projects, and marketing classes, and think you have what it takes to work for a recording facility or record label. Well, that is all great experience, but it isn't enough!

Nothing is more impressive than having done some work as an intern. Businesses that offer internships may demand a lot of you. They may (and will) test your patience by having you do what you think are mundane, boring, or menial tasks…Stick it out. Most likely you are being given a form of initiation. Most people in the recording industry started out doing menial tasks and when given the chance to express their skills…did so, and were rewarded with jobs, job-leads, promotions or recognition of some kind.

I can only do so much to encourage you to get yourself an internship. You have to bug your music industry contacts: teachers, producers and engineers you have met or just heard about. Also, go out and pound the pavement. Talk to guys who are working your favorite club or live venue. Bug the retail clerk at your favorite record store. Hang out in the music scene of your choice. Be pro-active. Ask everyone if they know of any internship openings in their field.Think about any website design work or blogs and or podcasts you have put together for a favorite band or artist....ANY kind of experience you may have had, can help you get some kind of an internship.

Do research on the types of audio-related businesses in your city. Use the Internet. Go to the library and look up the many directories, and read the weekly and monthly recording industry trade magazines and journals. Get on the phone, and do some informational interviews with the recording industry business you would most like to work for. Even knock on people's doors. Do whatever you have to do to get an internship. Internship opportunities do not come knocking on your door. You have to motivate yourself to get involved with this industry.

This technique has a tradition attached to it. It is called "The School of Hard Knocks". It means that everyone worth anything in this business had to push themselves forward and find a way to get noticed. Producers have to do this. Engineers have to do this. Certainly recording studio, and record label have to do this. And, artists need to do this. So, while being laid back and mellow is a great way to relax, it will get you nowhere in the whirlwind world of the recording industry. "Get Up, Stand Up!" Do something!

This industry is nothing but competition. Not just for jobs, but competition that finds one company fending of another company for clients and deals. So, businesses are looking for the most highly motivated employees they can find. Are you up for the challenge?

Once you say "Yes, I'm ready to show the world how good I am" and you have found your first internship, learn how to work that opportunity. You will have to take the good with the bad. Interns may start out as the low men and women on the ladder, but those that impress with their positive attitudes and dedication to their work, whatever it may be…will reap rewards. So, read the following suggestions on how to work with your internship employer for the mutual benefit of your career and their increased business.

dO....

* Be on time, and better yet, be the first one in, and the last to leave.
* Be hungry to learn.
* Be friendly. Introduce yourself to co-workers, even if you have not been introduced to everyone during orientation…and network often.
* Complete the tasks given to you before taking on other work.
* Make yourself invaluable to the company. (Look for things to do.)
* Make friends with co-workers, and offer to do some of their grunt work.
* Volunteer to take on the responsibilities of a worker who is ill, or going on vacation.
* Be willing to do the most menial of tasks. Even the most boring and repetitive work should be eagerly undertaken.
* Cover phones while co-workers are on break or at lunch.
* Ask permission to use any equipment, software or computer programs.
* Offer to help prepare for any studio-setup or tear-down, or to prepare any business reports.
* Organize the information you need to know to carry out your work.
* Create your own databases of any staff members, and their job titles.
* Know that as an intern you are not being trained to take a manager's or executive's job, so do everything you can to learn the jobs that lead to those positions..
* Feel free to take the initiative when you the time is right.
* Make things easier for your employer or supervisor, they will remember you for that.
* Offer your help when you notice help is needed.
* Keep in touch once you are gone. Stop by and say hello!
* Get a letter of recommendation, and send the company a thank you note for hiring you and giving you the opportunity to work for them
* Phone your boss or supervisor first, if you aren't going to show up.
* Say thank you when any promo CDs or concert tickets, or free studio time are offered
* Attend as many concerts and events that are not your favorite music. (You will learn a lot by doing this.)

dON'T....

* Ask for free things like CDs, tickets or studio time right away
* Look like you are lost. Avoid standing around.
* Get involved in long conversations during work hours with co-workers, or celebrity guests who may be conducting business in your workplace.
* Offer your opinion on how you would run things if you were in charge
* Cop an attitude of any non-professional kind, even if you're being paid.
* Make any personal phone calls in front of co-workers during your shift
* Cruise the internet on your company's time
* Get caught reading magazines or sloughing off on the job in any way.
* Ask at any time "NOW, what should I do?"
* Be offended if someone snaps at you. (Everyone has bad hair days)
* Talk dirt about any recording artists, producers, or other companies while in the presence of co-workers, or at any networking functions. (It's a small world and you never know who your co-workers, boss, or supervisor knows, has dated, has worked with etc.)





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Be consistent!!!!


Consistency.

Such a small word with astronomical implications. Consistency is the one tool that all music entrepreneurs must maintain a constant effort and pinpoint focus on. If you’re not consistent in your actions… you’ll rarely attain the results you’re looking to achieve.

Now what happens when we’re not consistent?

Let’s say you take one day out of your week to make your networking phone calls and you really get down to it and make it happen on this particular day. You promise yourself that you’ll do it again next week. But you don’t receive any responses from your calls… no results.

What do over 90% of us do when this happens? We quit. We don’t follow through.

Why don’t we follow through? What makes us stop working at the very thing that… in time will bring the desired results? Yes. In time our actions will bring us our desired results. But most of the time and for most of us the problem is that we’re not patient. We want it too soon. We don’t want to put the necessary ground work in to see it to it’s completion.

Let’s go back to my first example. The phone calls on week 1 don’t bring any results but we do it again on week 2 and we get a callback. So we do it again on week 3 and now we get 4 callbacks… Do you see where I’m going with this? Consistency, it works… Period.

Next time you feel like your actions haven’t accomplished anything think about trying the task out for at least 2 more times. Put in twice the effort and immerse yourself into your actions. This isn’t a 9-5 job. This is music. This is what you want to do for life. It’s fun right!

Well put some of that fun into your day to day tasks and must do’s and I guarantee you’ll begin to see the results you want.

To your success,





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Selling Beats 101: Top 7 Tips


1. Make Beat Making Videos
Some people may not want to get in front of the camera, but this can really help with exposure. There are many people online that want to learn. These people become fans and follow you and can possibly become buyers of your music.

2. Participate in Forums
I have been in many music forums where certain producers have built great names for themselves. This can be done in a few ways: having great answers toquestions, sharing music making tips, giving good feedback, and producing good music. Participating in forums also allows you to keep update with what is going on with music, learn new techniques, and get feedback on your music.

3. Promote! Promote! Promote!
Put a web address in you email signature, forum signature, and on blogs when you leave a comment in the URL section.

4. Give Away Free Beats
This can be good depending on the situation. Maybe you give away 2 to 3 decent beats in a forum, and this can help bring people to your site to possibly buy some higher quality beats.

5. Put Beats Online for the World
Make your beats available everywhere you can. You don’t now where people may come across your music. Make sure when people say they want to hear beats you have them available to hear, or you may miss out on that sell.

6. Join Online Beat Battles
Web sites like Roc Battles have sections for beat battles that allow people to show off their talents. Every win you gain more points, and the more points you get the higher you will show on the producer charts and get more exposure. (Example of a Beat Battle)

7. Go Out and Network
I’m sure you have heard this before. It’s not what you know, it’s about who you know. You have to get your foot in the door, and meeting those right people can expose your music to the right person. So give your music to everyone, rappers, singers, managers, engineers, song writers, musicians, etc. It’s a small world and you have no idea of who some people off the street may know.

When you’re out networking, please make sure you have the essentials like a business card handy with a name, current phone number, email address and a personalized web address to stand out. idOmusic is the perfect place to network.

Conclusion
I know way too many producers that are very protective their beats. I personally feel if you plan on being a success in the music industry, those one or two beats shouldn’t be held on to like these are the beats that will determine you music making future. Your skills of being able to continuously create hot tracks is what will determine your success. Get them into everyone’s hands that you can put them in because you don’t know where it will get you.

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10 Strategies for Success for Artists in the Music Industry


Here are 10 recommendations for strategies that can lead to success in music, and in life, which are excerpted from the Online Course taught at Music Power Network. Take them with a grain of salt. With this new decade comes the promise of digital music, the power of the entrepreneur and the tools to connect with an audience and deliver the goods. Here are 10 Strategies for Success in Music from Music Power Network.

1. Living a life in music is a privilege. Earn it.
Respect the privilege of being free enough to have this choice (if you do) and honor the opportunity.

2. No one is in charge of your muse but you. Be happy and positive.
You are creating your own reality every day, so make it a good one and excel.

3. Practice, practice, practice – then go for it. Over prepare.
Don’t hold yourself back by not being ready. Be a professional.

4. If you suck, you will never make it. Find a way to be great.
If you don’t stand out and rise above the pack, you will struggle forever. Be amazing.

5. Learn how to breathe and keep your focus. Stay calm.
There is nothing more pleasant than working with someone who knows who they are and what their goal is. Remember the old adages of thinking before you speak, and taking a deep breath before you lay into someone.

6. Don’t take yourself too seriously, no one else does. Have fun.
Reviews are important, but don’t run to them or let them ruin your day. Not everyone is going to like you, but more people will if you are having a good time.

7. No matter how difficult things get, move forward. Don’t give up.
The only thing that will help your career take off is forward momentum. That is how you are going to reach your goals.

8. Find a way to make money. Start small and grow. Avoid being in debt.
This is probably the most important strategy of them all and why so many artists have gotten into trouble in the past by taking label advances. All that is, is a big loan. Get some kind of cash flow happening right away, no matter how small.

9. Be unique and true to your vision. Say something.
The people that we remember are the ones that are unique, exciting, special, provocative, fascinating, original, inventive, interesting. Music is a basic form of communication. The really successful artists have something to say and work on delivering their message.

10. Work and play with people you like every day. Collaborate Often.
Music is a tribal experience. You cannot make great music alone. Surround yourself with talented people, write together, play together, try new things.








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And The GRAMMY Goes To...

So The Grammy Awards just took place this past weekend and a few people were determined by their peers to be the BEST in their respective categories. Will YOUR name be on this list next year?!? We'll see...

Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s), if other than the artist.

WINNER
Use Somebody
Kings Of Leon
Jacquire King & Angelo Petraglia, producers; Jacquire King, engineer/mixer
[RCA Records]

Album Of The Year
Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist.

WINNER
Fearless
Taylor Swift
Colbie Caillat, featured artist; Nathan Chapman & Taylor Swift, producers; Chad Carlson, Nathan Chapman & Justin Niebank, engineers/mixers; Hank Williams, mastering engineer
[Big Machine Records]

Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

WINNER
Single Ladies (Put A Ring On It)
Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, songwriters (Beyoncé)
Track from: I Am... Sasha Fierce
[Music World Music / Columbia; Publishers: Songs of Peer/March 9th Publishing, 2082 Music/WB Music Publishing, Sony/ATV Tunes, Suga Wuga Music, B-Day Publishing/EMI April Music.]

Best New Artist
For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist.

WINNER
Zac Brown Band

Best Female Pop Vocal Performance
For a solo vocal performance. Singles or Tracks only.

WINNER
Halo
Beyoncé
Track from: I Am... Sasha Fierce
[Music World Music / Columbia]

Best Male Pop Vocal Performance
For a solo vocal performance. Singles or Tracks only.

WINNER
Make It Mine
Jason Mraz
Track from: We Sing. We Dance. We Steal Things.
[Atlantic]

View the FULL list at this link: http://www.grammy.com/nominees



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IdOMusic® Spotlight: Tiger Da Writer

Caught up with Tiger Da Writer, Singer/Songwriter and A&R for Teddy Riley Music Group. Explains how important it is to master the three H's.








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I know You're NOT Gonna Let THAT Stop you!

So you're fed up with school, work, or whatever else is occupying valuable time you could be making music! And problems are piling up like the bills on your coffee table! Your significant other thinks you’re insignificant and sends you a break up text. Your Job is downsizing and it looks like you’re next... and on top of ALLLLL THAT, it looks like it's going to rain tonight!

But HEY! ... are you going to let all of THAT stop you from attending The IdOMusic Networking Event TODAY?!?!?!?!

HOPE NOT!

Come out to find your next creative team, learn from established professionals, or just enjoy the music filled atmosphere! It's going to be GREAT!

TODAY -  January 29, 2009 // 8PM

Venue Information:
30 Courtland Street, Atlanta, GA 30303 (Building on the corner on Gilmer St. and Courtland St. on across from Georgia State University Student Center)

View Directions: http://tinyurl.com/ydalvc9

The Panel:
"WERKING Your Way iN!" - The Music Industry is one of the most guarded. What you have to do to gain access?

The Panelists:
Ivory Weems // Artist Development/Marketing/Video Production and assistant to C.O.O of DTP

Big Ron // CEO of Black Shield Music Group, Executive Producer, Independent A&R Consultant

Keinon Johnson // National Director of Urban Promotions at Interscope Records

Frances Crawford // Client Relations, PatchWerk Recording Studios

Spotlight Artists & Producers:
Ajae
JayCobz
Dj Freak
Soundboy
Dizzywunda
Simp
Nike'
JusNice

Admission: $12
-Student Discount w/ Student I.D. - $10
-AIA Students: Contact Joe Shiver in Career Services...
-AES Members: Contact Selah.Abrams@turner.com





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IdOMusic® Mania BLINK 182



IdOMusic® Mania FACEBOOK Contest! Every week IdOMusic® will post new contest for the members of our IdOMusic® group to participate in and win IdOMusic® Tee shirts and/or tickets to our IdOMusic® events.

This week contest instructions (CLICK HERE) is to view the pictures posted answer the questions that is posted under the picture as a caption. Answer under the picture with the correct answer. Also answer the question for the video posted. You will have to submit your answer for the video in the wall comment area. For every answer that is correct we will keep tallys. Whoever has the most answered correct will win the prize. Leave all comments regarding the contest on the comment wall here in the IdOMusic® Mania page. Invite all of your friends to participate. Have fun!!! Bringing together the worlds music makers. IdOMusic®

1 - Find all the I dO Music® Logos. How many is in this photo?

2 - Name 3 songs by blink 182?

3 - What genre is blink 182?





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Social NetWerking for music makers.


Twitter

Currently enjoying its status as a media giant, Twitter recently topped the annual list of the most popular words and phrases within the English language, as compiled by language trend tracker Global Language Monitor, and rated #2 (behind “Michael Jackson”) in Microsoft search engine Bing’s list of the year’s most-searched topics. Applications for songwriters and composers are predictably multitudinous, which can make navigating it a bit tricky.

As with Facebook, users of San Francisco-based Twitter (http://twitter.com/; free membership) have a personal site where they can receive and send information. On Twitter, information is sent in short, 140-character blog posts called “tweets” to the author's subscribers who are known as “followers.” Such information can be sent in a number of ways, including email, text messages, and instant messages.

There are several music-sharing applications within the Twitter-verse, wherein the user can upload a song or find it through a music search engine and then share it with his followers. A user can, of course, include recordings of his own songs, but beyond the user’s truly close friends, it’s unlikely that the music will reach the ears of a music business exec. (And blindly inundating an exec with MP3s nets the same result as mailing them unrequested demos: that is, zero.)

Instead, the most practical approach for budding composers on Twitter is to seek out like-minded users via its search engine, and become followers. Typing in “songwriting tips” or “collaborate music” can result in dozens of hits; thanks to the 140-character limit, perusing those results can be quick and (relatively) painless.

The advantages of being on Twitter are not limited to those struggling to get into the business. Hip-hop artist Jim Jones reported in an interview that once he tweeted about the availability of his then-new single, “Dancing On Me,” on iTunes over the summer, “It started at the 100’s and slowly but surely in a few days it started climbing in the 50’s and 40’s, you know? So appreciate everybody for going and buying that record off the help of the tweet.”

MySpace

Beverly Hills-based MySpace (http://www.myspace.com/; free membership) was the first social network to gain widespread attention, being named the most visited Internet domain for U.S.-based users by web monitoring company Experian Hitwise in July 2006. Since then, however, it’s been mostly downhill, as Facebook and Twitter have taken over most of the buzz; a November report by web metrics company Compete showed that MySpace had lost a fifth of its U.S. traffic since June, with over five million users leaving just in August alone.

The game may not be over, however. In April, Owen Van Natta, former CEO at online music venture Playlist and Chief Revenue Officer at Facebook, was named MySpace CEO, and is actively exploring a number of options for a redesign (a recurring complaint amongst users) and, possibly, some kind of joint venture with Facebook itself.

MySpace built its reputation in part by being so music and musician friendly, and there are signs that the company may be heading back in that direction. The company relaunched its MySpace Music page (http://music.myspace.com/) in the fall of 2008, which includes musician profiles that allow artists and songwriters to upload their music, provided they control the rights to do so. Unsigned acts can also use the service to post and sell their music.

That still leaves the issue of getting people to want to purchase your music, of course. As with Facebook and Twitter, MySpace is home to any number of specialized groups, including those designed and maintained with the up-and-coming songwriter in mind. A recent search for “songwrite collaborate” returned 28,600 results, and such established groups as American Songwriter Magazine, New Jersey Songwriters in the Round, the World Independent Music Association, and the Vienna Songwriting Association all maintain MySpace accounts.

Next: YouTube and LinkedIn






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3 easy steps to branding your name.


Branding yourself as an artist is becoming more and more important. Year by year you see more and more "celebrity brands" springing up and there is a definite reason why. Branding yourself creates opportunities and generally increases cash flow for the artists that engage in branding.

Why is this? Because the more and more familiar you are with a thing the more you trust them. This is why people like P. Diddy and Oprah can "touch" an item or service and it magically takes off. You can have this same power too (just most likely on a slightly smaller demographic). Below are a few examples and ways that you can begin to brand your band.

Adding your url to all your stuff and promoting it during shows - This is one of the easiest things you can do. You simply add your band website address to every item you sell or give away as swag (freebies). Post it on t-shirts, posters, and of course your cd. During shows you could have banners posted behind you showing your band website url too. Also take the time to state that you can be found online and at what address too. The idea is to get as many people as possible to see and recognize yourband.com with being associated with you.

Business cards and stationary items - Handing out business cards and stationary are a great way to brand yourself. Business cards are cheap to get and easy to create. Your contact information (especially your url) should be placed on front and your band logo on the backside. This is very simple but works well. Pass them out to as many people as you can and little by little you’ll be branding your band for as little as five dollars at some print shops like Vista Print.

Using logos on everything - Your logo is your greatest branding tool. Companies like McDonald’s, Coke-A-Cola, and Pizza Hut for years have been using their great logos to brand themselves with consumers and so should you. It helps if you begin to think of your band as "your band inc." rather than just an indie garage band. Throw your logo onto everything you can think of online and off. This should be your calling card too. Once the general public knows your logo and associates it with you you’ll find you’re in really good company locally. Think of bands like Kiss and The Rolling Stones years after there prime people can still identify them by seeing their logos.






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IdOMusic® Spotlight: Ivory Weems(DTP)

You can check out Ivory Weems speaking about "WerkIN Your Way In The Business" Friday January 29th at The IdOMusic® Networking Event!







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Who's Werking?

Studio 995



Saxaphonist, Mike Phillips, whose influences have stemmed from his love of Hip Hop plus traditional jazz music, was in PatchWerk Studios working on his 3rd Album entitled "MP3" which will be released this spring on "Hidden Beach Recordings". Tracks for the new Album feature production from Atlanta based Producers "Q.Coleman, and Eric Jackson, of 310 MUSIC GROUP". All Mike Phillips' sessions were engineered by PatchWerk engineer Mike Wilson.

International pop singer Ebru just released her first single '' Love Soundz '' to I-tunes. It is the first single from the German singers Upcoming EP that includes 6 more songs. Ebru stopped through PatchWerk for a couple days to work with producer Hot Sauce and PatchWerk engineer Mike Wilson.

Spanish pop singer, Mala Rodriguez was in PatchWerk Studios for over 3 weeks finishing the first part of the recording of her next album. This new album, the 4th one in the Spanish rappers career, is without a doubt, her most avant-garde and elaborated work. The album will have production from American producer, Focus (Dr Dre, Beyonce, Busta Rhymes, J.Lo, Christina Aguilera… and the Spanish producers Griffi and Sr Tcee). All Mala’s sessions were assisted by PatchWerk engineer’s Dee Brown and Tripp Tiller.

Big Bank Black, CEO of Duct Tape Entertainment, and feature artist on Kandi Burress’ “Try It Out’ was in PatchWerk for several days working with PatchWerk engineer Kori Anders. Trey Songz also stopped through PatchWerk this past December to work with artist Amaye. Together they spent a day working with PatchWerk engineer Mike “Snotty” Miller.

Other sessions in 995 included those for PRGZ (M. Wilson) , Brothers Keeper (m. Wilson), Mars (M. Wilson), Avant Garde Entertainment (D.Brown), Cartoon (M. Wilson), Prynce CyHi (M.Solis), Drumma Boy (K. Anders), Street Hustle(M. Wilson), Nomad (M. Wilson), Lupe Fiasco (K. Anders), Sean Garrett (M. Walker/T. Tiller), Dorrough (M. Wilson), Heed (D. Brown), Playa K (Demitrius/D. Brown), Khia (M. Wilson/D.Brown)


Studio 9000



Sean ‘Diddy’ Combs came through PatchWerk for a day with Dirty Money and Sean Garrett. Last Train to Paris is the upcoming fifth studio album by Diddy and is scheduled to be released in 2010 on Interscope Records. In April 2009, with Dawn Richard of Danity Kane and singer Kalenna, Diddy formed the group Dirty Money, which will perform on this album. Diddys session was engineered by Miles Walker assisted by PatchWerk engineer Tripp Tiller.

Producer, Songwriter, and Rapper, Polow Da Don was in PatchWerk for a couple days this past December. He was working with singer, rapper Teyana Taylor. Taylor's debut album is called From a Planet Called Harlem. She has not announced a release date. Although she has yet to release a full length album, she has recorded a number of singles "Google Me," and "Traffic stop" . Polow's and Teyana's sessions were engineered by Jeremy Stevenson assisted by PatchWerk engineer Brian Pedersen.

Young Jeezy is working on Thug Motivation 103, his latest LP, as of July 2009. Thug Motivation 103 is the fourth studio album by rapper Young Jeezy. The album has no confirmed collaborations yet. Production will include tracks by JR Rotem, Scott Storch, Just Blaze, J.U.S.T.I.C.E. League, Beewirks, Kanye West, Sakwe and The Inkredibles. This past December Jeezy was in PatchWerk Studios having songs mixed by Leslie Brathwaite assisted by Brian Pedersen.

Ludacris and Nicki Minaj were having work done at PatchWerk this past December as well, having songs mixed by Leslie Brathwaite assisted by Brian Pedersen. After Nicki Minaj released her Beam Me Up Scotty, mixtape in 2009, she officially signed to Young Money Entertainment with distribution from Universal Motown wherein she will release her debut studio album in 2010.

Other sessions in 9000 included those for the Outlawz (M. Miller), Wacka Flacka (M. Miller), Ryan Toby (K. Anders), Alley Boy (K. Anders), and Musiq Soulchild Photo Shoot with Derek Blanks.


Studio 1019



Raekwon was recently in PatchWerk with Dow Jones of Tha Bizness. In December 2009, Raekwon's fourth studio album and latest effort Only Built For Cuban Linx... Pt. II was chosen as 'Album of the Year' on major hip hop site HipHopDx Awards. This past December he was putting in more work with PatchWerk engineer Dee Brown.

Recording artist and producer, B.o.B. AKA Bobby Ray Simmons was in PatchWerk’s studio 1019 this December for several days. B.o.B. is currently signed under the labels of Grand Hustle and Atlantic Records. He has described his influences as "80's music, Rap, techno, rock, funk, even du wop…" His debut album, The Adventures of Bobby Ray, was released in 2009 under T.I.'s record label Grand Hustle.

Other sessions in 1019 included those for Yelawolf, Prynce CyHi (M. Solis), Money Red (T. Tiller), Pastor Troy (M. Miller), Righteous (M. Solis), Playa K (Demitrius/D. Brown), and Def (B. Pedersen)






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